It was night full of moonlight. The night shone, the garden was full of moonlight. Perhaps you will be interested
Afanasy Afanasyevich Fet is a bright representative of Russian lyrical literature, one of the last romantics of the Golden Age. This is confirmed by the exciting poem "The night shone with the moon", which belongs to the late period of the poet's work. We invite you to familiarize yourself with brief analysis“The night shone with the moon” according to a plan that will be useful to students in grade 10 in preparing for a lesson in literature.
Brief analysis
History of creation- The verse was written in 1877, and is a reflection of the poet's past feelings for Maria Lazich, with whom he was passionately in love in his youth.
Theme of the poem- Memories of past love.
Composition- The symmetrical composition divides the work into two parts: in the first part, the beautiful singing of the girl is described, in the second, the author enjoys her singing, but many years later. The fourth stanza is the highest emotional point of the poem.
Genre- Love lyrics.
Poetic size- Six-foot iambic with cross rhyming.
Metaphors- « burning flour».
epithets- « languid", "sonorous", "sobbing».
Avatars – « rays lay", "the night shone", "the strings trembled».
History of creation
Afanasy Afanasyevich wrote his poem "The night shone with the moon" in 1877, on the threshold of his 60th birthday. During this period, he summed up the results of his life, and his work was imbued with secret sadness and regret.
In his youth, Fet was in love with the young beauty Maria Lazich, who answered the poet with ardent reciprocity. However, the girl belonged to a poor family, and Fet did not plan to marry a dowry. Her tragic death at a young age left a deep wound in the poet's soul, which never healed over time.
Later, successfully marrying a wealthy heiress and securing comfortable life, Fet reproached himself for the fact that, in the pursuit of luxury, he had lost the most valuable thing he had - sincere love.
The work "The night shone with the moon" is, in fact, the poet's recollection of those happy days when he was young and in love, he enjoyed life in the company of a beautiful girl who could not live without him.
The amazing tenderness and musicality of the poem could not go unnoticed. Composer N. Shiryaev wrote music for it, and at present "The night shone with the moon" is one of the most popular Russian romances.
Subject
The central theme of the poem is pure and sublime love, which accompanied the lyrical hero throughout his life.
This is a deeply intimate, largely autobiographical work, which reflected all the experiences of the poet. The poem, especially its second part, is permeated with light sadness. The author yearns for his beloved and hopes for a speedy reunion.
The chosen one of the lyrical hero combined all the beautiful features that can attract a romantic nature. This is largely an idealized image, but this is how the author perceives love. The main idea that the poet wanted to convey in his work is the immortality of love, its all-conquering power, over which neither time nor circumstances have power.
Composition
The work “The night shone with the moon” consists of four quatrains, each of which is characterized by its own sound recording. The composition has a symmetrical structure, since it divides the verse into two equal parts:
- the first two quatrains are dedicated to the beautiful singing of the girl;
- subsequent stanzas tell readers about re-musicing, but many years later.
Genre
The work belongs to the genre of love lyrics, since the author expresses in it the whole depth of his feelings and experiences.
The poem is written in iambic six-foot with cross rhyming.
means of expression
Despite the apparent lightness and simplicity of the poem, its tenderness and melodiousness are the result of complex work with artistic means.
Special appeal, melodiousness of the lines of the work is achieved through the use of assonance and alliteration.
Poem Test
Analysis Rating
Average rating: 4.4. Total ratings received: 37.
Later, the poem "The Night Shone" was written by A. Fet on August 2, 1877. The poet created it under the impression of a musical evening and dedicated it to Tatiana Bers (married to Kuzminskaya). The sister of Leo Tolstoy's wife and the prototype of the image of Natasha Rostova in the novel "War and Peace", Tatyana sang wonderfully at this evening, and the poet's feelings for her formed the basis of the poem. The original title of the poem was "Again". It was first published in the poetry collection Evening Lights (1883). The work opened the Melodies section, which included texts united by the motive of the song.
In a poem dedicated to music and singing, two main topics- love and art. Fet uses the poetic form of the romance for the work. Work, main plot which is a love date in the garden, written in the first person, in the form of a monologue-memories of love. The image of love-memories, over which time has no power, dominates the elegy.
In its compositional solution, the poem "The Night Shone" is close to Pushkin's "I remember a wonderful moment ...". The work consists of 4 stanzas-quatrains, each of which has its own sound signature. The symmetrical composition divides the poem into two semantic parts: the first two stanzas are dedicated to the heroine's first singing, the third and fourth stanzas tell of her re-performing the song many years later. The narration goes on growing, leading to the highest point of the plot - the last quatrain.
In the first part, a magnificent landscape sketch plays the role of an exposition to the entire poem. Fet uses image of a moonlit night as a symbol of love. He creates a picturesque and expressive image with the help of an oxymoron emphasized by inversion ( "Shining Night"), sound writing, alliteration. The repetition of the sound "l" conveys the lightness of moonlight, the tenderness and smoothness of its sliding rays. The repetition of the sounds “r” and “g” helps the poet convey to the reader all the trembling and excitement of the heart. In the second stanza, the intensity of passions increases: the repetitions of “z” and “t” create an incredible intertwining of feelings - exhaustion from love and the desire to live, love and cry. The poet affirms the identity of singing and the singer with love ( "What are you alone - love"). Love is the meaning of being, it is true faith.
In the second part of the poem, the description of the landscape is limited to the phrase "in the stillness of the night", a "hear" it is helped by the alliteration of the "sh" sound. The used scales "vz" and "zv" reproduce phonetically the breath of a person. Fet here identifies singing and the heroine not only with love, but with life itself. Art and love are eternal, they resist "tedious and boring years". Two meetings and two singing in the interpretation of Fet are variants of one eternal event. The desire to love underlines the refrain: "Love you, hug and cry over you".
Main motive and the idea of a work is the transforming power of art. Music for Fet is the basis of the universe, the quintessence of being, and the poet was able to skillfully convey his feelings in verbal form. The six-foot iambic creates the overall musical background of the poem, giving amazing flexibility to poetic speech. Fet uses cross-rhyming with alternating feminine (in odd lines) and masculine (in even lines) rhymes. The poetic dictionary includes lexemes characteristic of the poet - sound, sigh, trembling, sobbing. The repetitions of the sonorous "m", "n", "p", the open vowel "a" give a special melody and musicality.
To create the figurative structure of a poem, the poet uses images from different areas– nature ( night, dawn), music and singing ( piano, strings, voice, sounds), human feelings ( trembling hearts).
The poet penetrates into the element of feelings of love, uniting together and "screaming sounds", and love, and a woman. Music, art and love are phenomena of beauty, and the highest happiness for a poet is to believe in this beauty.
- Analysis of the poem by A.A. Feta "Whisper, timid breathing ..."
(Perception, interpretation, evaluation.)
The poem "The night shone. The garden was full of moonlight. They lay ... ”- one of the lyrical masterpieces of A. A. Fet. Created on August 2, 1877, it was inspired by the singing of T. A. Kuzminskaya (Sofya Andreevna Tolstoy's sister), who described this episode in her memoirs. The work opens a whole cycle of poems in the collection "Evening Lights", which Fet called "Melodies". Of course, this is no coincidence. The poem is really written in a romance-song vein, unusually musical. The poet believed that beauty - the main idea of the lyrics - is expressed not in lines, not in refined words, but, above all, "sounds subtly." So, one of the most important characteristics of poetry should be melodiousness.
The musicality of this work is achieved through repetitions at different levels of the poetic text. So, in the lyrical syntax there are anaphoras (And ... And ..., What ... What ...) parallel constructions within the stanza ("That you are one - all life, that you are one - love; But life has no end, and there is no other goal" .... ). Fet compares words that are close in sound composition - “sonorous sighs” - which give the poem additional semantic and emotional “overtones”. It uses phonetic techniques of assonance (repeating the sounds [a], [o]), alliteration (repeating the sound [p] in the line “The piano was all open and the strings in it were trembling”).
The composition of the poem also contributes to its melodiousness. In this lyrical monologue, the author uses the ring technique. In the line “Love you, hug and cry over you”, which frames the work, Fet expresses the main feelings of the hero: delight and admiration for the power of vocal art.
Of course, the musicality of the poem is dictated by its theme. After all, this work is not only about love and nature, it is primarily about wonderful singing, about a voice that gives rise to many vivid experiences:
The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping a sound,
Love you, hug and cry over you.
Fet does not depict a specific landscape or interior, but everything merges with him in perfect harmony. The poet creates a holistic dynamic picture, in which visual, auditory, tactile, and sensual impressions immediately appear. Generalization and combination of images of nature, love, music help the poet to express the fullness of the joy of perceiving being.
The poem is autobiographical. His lyrical hero is Fet himself.
This work tells about how the poet experiences two meetings with his beloved, between which there is a long separation. But Fet does not draw a portrait of his beloved woman with a single stroke, does not trace all the changes in their relationship and his condition. He captures only that quivering feeling that covers him under the impression of her singing:
And many years have passed, languid and boring,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love.
The feeling itself is also difficult to describe in words. The lyrical hero conveys the uniqueness, depth and complexity of his experiences with the help of "global" metaphors in the last line.
This poem once again convinces us that only art can truly ennoble a person, purify the soul, liberate and enrich it. Enjoying a wonderful work, whether it be music, painting, poetry, we forget about all our problems and failures, we are distracted from everyday hustle and bustle. The whole human soul opens up to beauty, dissolves in it and thus gains the strength to live on: to believe, hope, love. Fet writes about this in the last stanza. The singer's magical voice frees the lyrical hero from "the insults of fate and the burning torment of the heart", presenting new horizons:
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!
Speaking about the lyrical character of the poem, the author unwittingly touched upon the theme of the creator, his mission. The singer's voice, which awakened a whole range of feelings in the hero, sounds so delightful, because the heroine gives herself passionately to her occupation and is herself fascinated by the magic of music. At the time of the song, it must seem to her that there is nothing more important in the world than these beautiful sounds, than the feelings invested in the work. To forget about everything except creativity - this is the share of a true creator: a poet, an artist, a musician. This is also mentioned in the work.
The poem "The night shone. The garden was full of moonlight. They lay…” strikes with a variety of themes, depth and brightness of images, extraordinary melody, as well as its idea, which, in my opinion, lies in the author’s amazing desire to convey the beauty of art and the world in an inclusive way.
All essays on literature for grade 10 Team of authors
7. Analysis of the poem by A. A. Fet “The night shone. The garden was full of moonlight. They lay…”
The poem "The night shone ..." is one of Fet's best lyrical works. Moreover, this is one of the best examples of Russian love lyrics. The poem is dedicated to a young, charming girl who went down in history not only thanks to Fet's poem, she was one of the real prototypes of Tolstoy's Natasha Rostova. Fet's poem is not about Fet's feelings for the sweet Tanechka Bers, but about high human love. Like all true poetry, Fet's poetry generalizes and elevates, leads into the universal - into the big human world. The poem "The night shone ..." in the perception of the reader turns out to be at the same time a memory. Each word of the poem speaks to the reader about the familiar and close - and speaks with beautiful, as if unknown words. In Fet's lyrical poems, an unfamiliar, unique and unique event is felt as familiar, as close to you, perhaps even being with you. This feeling is one of the secrets of that special, joyful and high impact that a poem has on the reader. There are two main themes in the poem - love and art. Many of Fet's poems have been written on these topics, one might even say that most of his poems. In the lyrical play “The Night Shone…” these themes are merged into one. Love for Fet is the most beautiful thing in human life. And art is the best. The poem is about doubly beautiful, about the most complete beauty. The poem is written in iambic six-foot - one of the favorite sizes of the poet. This helps to create here not only a general musical tone, but also a very flexible, with lively transitions and movement, free speech, free narration. This is partly due to the pauses that occur not in one constant place, but in different places - here and there, as in a lively, vividly emotional speech. As a result, a poetic story about a strong and lively feeling is itself full of life. This work is both very picturesque and very musical. One thing in Fet is closely related to the other. The musicality of the image helps him to be picturesque. Surprisingly in terms of vivid expressiveness and visibility, visibility is the very beginning of the poem. The picture that a lyrical play opens with is tangible and unforgettable. You vividly see the darkened hotel and outside its windows the garden is full of night freshness, moonlight and radiance. And you hear music, all the more amazing and striking our imagination, because nothing is directly said about music in the first stanza. But it is said about the piano: “The piano was all open, and the strings in it were trembling ...” Behind this image we see not only the piano itself, but also hear the sounds that come from it. Fetov's wonderful image affects us not only directly, but also indirectly. The poet draws a subject and, pushing our imagination, makes us see and hear what is connected with it. We ourselves heard this, the poet did not tell us about it - and we are grateful to him that he performed such a miracle: he made us hear, helped us without direct verbal designations. Fetovsky's image affects the reader with the help of a special sound of words. The combination of words, combinations of vowels and consonants, alliteration, internal consonance give special power to his poems. Sound repetitions are present in the poem:
The night shone. The garden was full of moonlight. lay
Beams at our feet...
The poem “The night was shining ...”, like many of Fet’s poems, is distinguished by its harmony of tone and harmony of composition. One follows from the other, the next continues and develops the previous one. The lyrical narration goes on growing: the feeling grows. This kind of verse compositions make a particularly strong impression. The verses seem to be accelerating, internally heating up - and, accordingly, heating up, the reciprocal feeling of the reader becomes stronger. Poems infect the reader with each new word and new stanza more and more. The words in Fetov's poem are moving; the movement of words and sounds occurs strictly in one direction - to a lyrical result:
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug you and cry over you...
The last four lines of the verse are the musical, emotional, and semantic completion of the poem. This is the last and highest point of the lyrical plot. And this is the glory of both the beautiful in life and the beautiful in art.
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One of the best works created by the great lyricist Afanasy Fet - “The night shone, the garden was full of moon” is performed by Vladimir Simonov.
The night shone. The garden was full of moonlight. lay
Rays at our feet in a living room with no lights
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping sounds,
Love you, hug and cry over you.
And many years have passed, languid and boring,
And in the silence of the night I hear your voice again,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love.
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!
The poet Afanasy Fet is an unsurpassed lyricist, whose works surprisingly accurately convey the feelings experienced by the author and create an unusually romantic atmosphere. True, the poet's youthful poems are devoid of secret sadness inspired by the tragic death of Maria Lazich. Fet was in love with this girl and an impoverished noble family, but refused to marry her due to financial difficulties. Subsequently, having regained his title and family estate, and also successfully married the rich merchant daughter of Maria Botkina, the poet reproached himself for the fact that, having acquired wealth, he had lost love.
The poem "The night shone. The garden was full of moon, ”written in 1877, when the poet was already in his sixties, is a work of remembrance dedicated to one of the brightest and happiest periods in Fet’s life. He was young and in love, enjoying life in the company of a girl who shared his feelings. And the memory of these romantic dates formed the basis of a poem filled with joy and peace, which, nevertheless, are seasoned with a sharp sense of bitterness and the realization that it is already impossible to return anything.
The first lines of the poem take readers to an old mansion, immersed in darkness. Only moonlight lies at the feet of two people who are in the living room. From it come the sounds of the piano and a gentle female voice that sings about love. “You sang until dawn, exhausted in tears,” the poet notes. Apparently, this was the last night he spent with Maria Lazich, saying goodbye to his beloved, but not suspecting that in less than a month she would leave his life forever, remaining only in his memory. However, at the moment of parting, the poet “so wanted to live, so that, without dropping a sound, to love you, hug and cry over you.”
Fet did not yet realize that by abandoning his beloved, he would forever change his life, which from now on would be deprived of ordinary human happiness. Therefore, the poet admits that "many years have passed, tedious and boring." But the memories of the lost love are becoming sharper and more painful every year, the author is no longer happy with the financial well-being, to which he so aspired, and for which he betrayed the one that, as it turned out, was dearer to him than all earthly blessings. And now, after a quarter of a century, it seems to the poet that he again hears the singing of his beloved, and the enchanting sounds of her voice seem to return the author to the past, where "there are no insults to fate and a heart of burning torment."
Afanasy Fet, embarking on a journey through the waves of his memory, does not want to return to a reality that frightens him, cold and gloomy. In his family, he feels infinitely lonely and doomed to a joyless old age. Therefore, he really wants to have no other goal in life, “as soon as believing in sobbing sounds, love you, hug and cry over you!”. But these dreams are not destined to come true, since Maria Lazich has been resting in a non-village cemetery for almost 30 years. The poet never dared to visit her grave even once in his entire life, believing that he was indirectly involved in the death of his beloved. And it is precisely this feeling of guilt that explains the repeated repetition of the word “cry” in the poem. This is the only thing that remains for the poet, who has realized what exactly he has lost in his life, and who understands that even all the treasures of the world are not able to return him to the past and allow him to correct the mistake made, which played a fatal role in the life of the poet. His destiny is to indulge in memories that give joy and, at the same time, cause unbearable mental pain, which is filled with the poem “The night shone. The garden was full of moonlight.